Record a pass and RIDER works out the fader ride that holds the vocal at your target, then draws it over the level it was worked out from. Where it's wrong, like a laugh, a held note or a breath it flattened, you draw over it with the pencil or a straight ramp.
Your moves stay yours.
The parts you drew stay tinted, and Recalculate leaves them alone.
Set the limits.
RANGE UP and RANGE DOWN cap how far it rides, SPEED sets how fast, and HOLD sets how long it waits before letting go.
Shape every move.
Each move eases in on one of four curves: linear, exponential, logarithmic or S.
How it listens.
A K-weighted detector hears loudness roughly the way you do, and RMS is there if you prefer it. Up to 50 ms of lookahead lets a move start just before the word. Anything below THRESHOLD, like breaths and bleed, is left alone.
With ENTROPY. Link it and each channel's VCA ages with the room: rides get slightly shallower when the room runs hot and deeper when it's cold, and left and right drift a little apart. Your knobs, chart and moves stay exactly as you set them.